• Skip to content

Main

  • Portfolio Overview
  • Selected photography projects
  • On Photography
  • Blog
  • About
  • Contact
  • Store
  • Back
  • City of London
  • Creative Londoners
  • Guangzhou, China
  • Henley Royal Regatta
  • Margate – English Seaside
  • Not My King Protest
  • Social Landscape of Contemporary Life
  • What is British?
  • Whitechapel Mission
  • Back
  • Your store for Photographic Prints, Photo Zines and Workshops.
  • My Account
  • Checkout
  • DxO Affiliate Links

Michael Wayne Plant

Main

  • Portfolio Overview
  • Selected photography projects
    • City of London
    • Creative Londoners
    • Guangzhou, China
    • Henley Royal Regatta
    • Margate – English Seaside
    • Not My King Protest
    • Social Landscape of Contemporary Life
    • What is British?
    • Whitechapel Mission
  • On Photography
  • Blog
  • About
  • Contact
  • Store
    • Your store for Photographic Prints, Photo Zines and Workshops.
    • My Account
    • Checkout
    • DxO Affiliate Links
  • 0 items

Follow us

Connect with us on LinkedinFollow us on TwitterLike us on FacebookFollow us on FlickrFollow us on InstagramSubscribe to our Channel on YouTube

Header Widgets

Photographic Influences

Number 13

I have decided to write a series of blog posts on my photography heroes, the photographers whose work has influenced me. This series will be semi-historical to start with and then we will see where it takes us. Thirteenth in this series is Dorothea Lange . This series is in no particular order of influence, just as and when I find material on the relevant photographers.

Posted on February 21, 2020

My Photographic Heros no 13: Dorothea Lange

AuthorPostedbyMichael Wayne Plant

Dorothea Lange

What I learnt from Dorothea Lange

For social documentary photographers on the the icons is Dorothea Lange, we have studied her images and her work on documenting communities that where not highly visible is impressive. For example, her work documenting the lives of Japanese internees during the second world war is really good. she tackled subjects that where highly contentious and made good images. Her work for the Farm Security Administration (FSA) had an agenda that had been set for her to help raise awareness and funds from the government to keep the work that was being done to alleviate the worst of the depression on those most affected by the worst (at the time) depression in American history.

When I studied for my MA in Photography and Urban Cultures I was introduced to the work of Dorothea Lange, though a module on the Photobook in American Culture. (I am not linking to that book as it now sells for a lot of money) Dorothea has had a lot written about her by a lot of writers and the stories that relate to her work have historicised her on many levels. Especially how we relate her to be a Depression era photographer only. For me what I learnt when I looked at the images made as part of the sequence of images she created prior to her famous Migrant Mother photo, show that a photographer should never ever settle for a plain record photo, but work the scene, till they get an image that works for them, Even then she was not happy with the image as she had her darkroom printer remove the thumb in the bottom right corner. The removal of the thumb would not be allowed ethically in todays photojournalism. 

Often when teaching, I would see students making an image and look at the back of the camera, and make a judgement call that the images was good enough. I learnt on film and could not do that so, I learnt the hard way make more images, as the important one might not be the last one, but somewhere in the sequence of images and it is a bit like a dance: you introduce with the opening notes, move around your ideas and then fine tune them till you get the image then you add an exit as you back away from the core idea you where trying to express visually and try a different angle, which may or may not work, this way you will get better images. All good photographers, I believe work something similarly to this.

 

Migrant Mother images

  • Florence Owens Thompson and her children in March of 1936 in Nipomo, California.
  • Florence Owens Thompson and her children in March of 1936 in Nipomo, California.
  • Florence Owens Thompson and her children in March of 1936 in Nipomo, California.
  • Migrant Mother Image
  • Notice Thumb in bottom right corner

Links to articles on her work. Dorothea Lange

Jörg M. Colberg at Conscientious has a good article exploring the book Day Sleeper about how artists can disappear and not seem accessible and relatable, and how it is nice to see work though a contemporary perspective so we can keep it fresh and relevant to our current understanding and somehow still feel connected to the people in the images.

Dorothea Lange’s “Migrant Mother” Photographs in the Farm Security Administration Collection. this is a great resource worth looking at.

Books by/on Dorothea Lange

Dorothea Lange (Phaidon 55’s)

(Amazon US link), (Amazon UK link)

Dorothea Lange: Aperture Masters of Photography

(Amazon US link), (Amazon UK link)

Dorothea Lange: A Life Beyond Limits

(Amazon US link), (Amazon UK link)

Day Sleeper Dorothea Lange – Sam Contis

Publisher link (Amazon US link), (Amazon UK link)

Dorothea Lange: Politics of Seeing by Edited by Alona Pardo (Author), with Jilke Golbach

(Amazon US link), (Amazon UK link)

0 Posted in Photographic Influences, Inspiration, On Photography, PhotographyTagged Dorothea Lange, Migrant Mother, Social Documentary photography

Leave a Reply Cancel reply

You must be logged in to post a comment.

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Post navigation

Previous
Next

© 2025 All Images and text copyright of Michael Wayne Plant MINIMAL

Follow us

Connect with us on LinkedinFollow us on TwitterLike us on FacebookFollow us on FlickrFollow us on InstagramSubscribe to our Channel on YouTube
x
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.Accept Read More
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Non-necessary
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
SAVE & ACCEPT
✕