Don’t tell my cat that I am not going anywhere, she is so cute when she packs herself, this time she climbed into my backpack ready to go!

Not going anywhere, my camera back is sitting empty awaiting me to find the time to put it away, and my cat has taken to thinking that I should keep it out for her to use, whenever she wants a bed!
In case you are interested the camera bag is a ThinkTank Airport Traveller rolling case.I really like this bag, as every time I use it I am either doing something interesting or going somewhere interesting!

I’m excited to share with you all that was recently asked by Professional Photo Magazine if I would be interested in writing a review of my new Leica M11 camera from a users perspective. I was very happy to do this as I think the camera is a worthy addition to the Leica tradition of rangefinder cameras.

If you follow the link to the PDF you can read more of what I have to say about this camera.

Leica has done a great job on this camera in updating it while retaining its specialness which makes the rangefinder unique in the era of digital cameras.

You can access the website for Professional Photo here: https://professionalphoto.online

Or to put it slightly more impolitely what pisses you off?

What makes you angry about the world? Think about this and you will have a subject that could animate both you and your photography. When you are angry about something you learn about it and develop ideas about it.

For me, while not angry about it I have a real fascination in how capitalism functions, I have read about it from so many perspectives and still, I feel I need to know more about how it functions. Yes, I have read books by and on Marx, Smith and Keynes and many more, analysing how capital is created and its used, etc. I have however, come to the conclusion that our greed (both individually and collectively) and capitalism, may have become a dangerous combination for survivabilty of our species on planet earth. Why do our rich not want to change course? This is something that I for a long time I could not understand, but then again, I realise that we as a species do suffer from short termism and self interest.

But that is my interest, what is yours? This is where you can find the motivation get out and make your own work, as a photographer. Find what you are passionate about, I believe that you already know a lot about it and have strong opinions about the subject, go and do some more research and then work out is the subject something that lends itself to being photographed. If so then it is easier, if not, then look at how you can make it into something that is possible to make images of.

This is what it takes to find a subject to make work on you need to be passionate about what you do, the other side of this is.

What do you love?

What activities or subjects do you love, and again you will know a lot about them, because you are interested in them. These to aspects can lead you into being able to make work that you are passionate about, and from that it becomes possible to make work with the dedication, and determination that good projects and work takes to make.

So stop procrastinating and go and start the research on what you are going to do next. As a creative person finding what you hate and what you love could be the key to making work that really motivates you and leads you to make the work you have always wanted to make.

I was inspired to write this post by the article on The United Nations of Photography website. I have always done commercial and editorial photography and for the past few years have concentrated on my own photography and yet I had not really noticed the idea of commissioned photography and I like what Grant Scott has to say about this concept at the beginning of his article.

I never use the word ‘commercial’ to describe commissioned photography for a very simple reason. All photography is commercial, in my eyes, if a commercial transaction takes place, that includes the sale of a print, a book, or even an NFT! Therefore, commissioned is a more accurate description of the practice of being asked to make photographs in return for financial reward.

Grant Scott

I like this idea. In my opinion it has always been hard to get commissioned to do photography, particularly the kind that you as a photographer want to be known for. Often there is a conflict between the photographers artistic vision and the requirements of the client. This I actually think is a issue that photographers don’t address as they are being commissioned to make the images that a client wants and if they are not doing that then they should not be seeking the commission in my opinion. The client is paying the bills and they are asking for something so the first priority is to deliver that, then if you have time and resources it is up to the photographer to go beyond the brief and give the client that extra special magic, this is what sets apart the jobbing photographers and the ones who are both creative and commercially successful.

This article by Grain Scott also lays out a few other points, one of them is the role of the picture editor and the ways clients want to get more for less, I have to say that in all my years as a photographer that has always been the case, as it has become easier to become a photographer it has also meant more people are available to be commissioned to do the work so the rates have been forced down. I will give you an example in the early 1990’s I would do a fashion editorial for major magazine brands and the would pay between £300-£400 for a days photo session, now in is the 2020’s and they still want to pay the same amount. You might consider that bad however, it is even worse than that, because they used to also pay for film and processing, which if done right could increase the photographer income by another £400 for the days photo session. Now we shoot on digital cameras and they don’t expect to pay for film and processing so that income generator has disappeared for photographers.

I do believe that there is a future for commissioned photography as AI will not be able to make all the images that clients want or need, and stock images will never be specific enough, for a client that wants to impress and stand out with distinctive imagery. So it is up to the photographer to enhance their style and skills to be able to make distinctive images that are non generic for the clients and make these images to budgets that they can work with.

So in future instead of editorial and commercial headings on my website or promotional material, I am going to definitely use the word Commissioned, I like that as a concept as it shows to others that someone else has taken a risk and ‘Commissioned” me to make work for them.

The portrait of Jennifer Ehle at the top of this post was made in the mid 1990’s for Empire magazine, In a Mens toilet in Primrose Hill London. I was very much into shooting Fuji Super 800ISO 35mm film, because I liked to work in low light and has some film grain to hide blemishes. This image was made before Photoshop took off and everyone wanted to be airbrushed to look even more glamorous. I was very good at getting the people I photographed to relax and look great.